Pink hydrangeas, tilted photo.

Here’s something that’s been coming into focus for me lately** as I try to organize my backlog of photographs:  I have a definite tilt.

This shows up in photographs of me, as well, where since childhood, I almost always lean my head a little bit toward my right shoulder.  Unless I am consciously trying not to do so (and then I sometimes look a little stiff and uncomfortable).

It’s not a big problem or anything, to have a tilt, especially not with the ability to crop and straighten a shot after the fact.  But becoming aware of it will help me to consistently take better photos, and ones that don’t need any correction after the fact.

And all of those slightly diagonal photos are a gentle nudge to me to consider my tilt in life, too.  It is so easy to let it fade into the background.  In fact, I’d venture that the ego’s “normal” assumption for everyday reality is that it’s got this really spot-on view of things.  No tilt here, surely.  Mine is always the “right” way to look at the situation.

It’s usually not a big problem or anything.*  We all view the world tilted at our particular angle, I guess.  But becoming aware of my own leaning helps me in so many areas of life — mainly in my ability to listen and truly hear what is being said, to read and understand and sink into another’s world, and to be able relate to other human beings on all kinds of levels.

Viewed that way, tilt awareness is all about connection.  Y’all know I am all about connection.  I sometimes have an easier time of it with the plants and animals and sky than with the human beings I meet in everyday life — and there’s another excellent example of my tilt.

So… what’s your tilt?  Do you recognize that you have one?  Does it ever affect your work, your art, the style of your home or garden?  Does it color your comprehension of what is happening in relationships?  What are some other areas of life where it would be good to be aware of our tilt?

I’d love to hear your thoughts in the comments.

Hope your week got off to a beautiful start!

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*   Okay.  Yes, sometimes Ego is a big problem.  Huge.  The adverb is crucial in that sentence.

** Yep, I’m three weeks behind on the Focus posts again.  Rather than try and catch up in a focus overload, I’m just going to jump right in and maybe throw in the backlogged posts later, when there’s a lull.  At the end of the year, when winter has limited the garden-post options, sounds like a great time to find any wayward Focus weeks and pull them back into the fold.

“Oh, yeah, you blend.”

~ Mona Lisa Vito in the film My Cousin Vinny

One night last week, I hung over the side of the sofa upside-down just to snap this picture.  This adorable little moth stayed absolutely still while I dangled inches from her, my hair enclosing us both in its dark curtain, dark enough to cause the flash to activate.

I especially love that you can see her face in the shot.  Is it just me, or does she look a little bit like an Ewok?

Okay.  Enough pop culture references.  Let me get to the point.

This moth did not move at all, even when my camera was inches from her fragile little body, even when the blinding flash went off, even when I squirmed around to get just the right angle.  She seemed to trust that I could not see her lovely brown and grey body against the bright red suede of my living room couch.

“Of course I can see you,” I told her a few moments later as I gently scooped her up and walked outside to release her into a night teeming with stars and cricket song.  “Maybe you are really good at camouflage in your regular environment, but that doesn’t work here.”

And as I watched her flutter away into the darkness, it hit me:

Hey, I’m talking to myself.

In my regular environment, I blend in so well that I’m invisible.  Or close enough to pass nearly unobserved.  I like having that kind of camouflage, for a lot of reasons.  To list just a few here:

  1. As a writer, I prefer to be the observer and not to be noticed.
  2. It’s easier to meet like-minded people and make friends when you’re a natural fit for the environment.
  3. You don’t need very much courage to be invisible.

I especially like that last one.  My childhood conditioning encouraged me to keep my head down and keep quiet and be difficult to find.  Hiding, whether literal or figurative, comes naturally to me — or it seems natural because I’ve done it for so long.  In fact, that fear of being observed and noticed is an important component of the formula that kept me from submitting my writing for review or publication all these years, and the everyday, benign notice of blogging has begun to release and dissolve some of that fear, much of it irrational (as so many of our unexamined childhood fears are), in small doses.

So I like to blend, no question.  But blending in here is not working.  It’s a small, rural, traditional, evangelical, militantly conservative town, and I’m a well-educated, twenty-first-century, mystical, far-left-leaning ex-urbanite.*

I like modern art and social safety nets.  I think acid-wash jeans and mullets and scrunchies went out in 1987 (saw all three again last night, so I’m wrong, apparently).  I don’t want to discuss whether or not I have been saved.  Hybrid cars are awesome, and global climate change is real.  “Foreigners” cannot be discussed as an amorphous group in an intelligent conversation — especially not by a woman who married one.  I’m not going to be able to muster a laugh for a sexist joke, and I won’t play deaf when a little racist innuendo pops up in the conversation.

For all my attempts at fitting in here over the last year and a half, I might as well be that little moth.

Now, you might think this realization would be depressing.  But I honestly felt relief when I saw my situation clearly.  I felt as though a burden had been lifted from my shoulders just in realizing, yes, okay, Meredith, it’s never going to happen.

There was a reason that even as a child visiting my grandfather’s farm, my cousins still mockingly called me “city girl.”  I could love that farm all I wanted — but I didn’t live on it, day in and day out.  Since then, I’ve lived not just in the suburbs of Atlanta, but abroad in some “socialist” countries and also in the far North.  I knew when I came back that I had been changed by the experience and would never quite click in the South the way I did before — and that was true, living smack dab in Midtown in one of the South’s largest metropolises.**

How much more so, living in a small hamlet in South Carolina!

I’m not from around here, y’all.  And I’ve realized that’s okay.

What’s not okay is beating myself over the head trying to make it happen.  Repeatedly trying to fit in and mesh, doing all the things one is supposed to do to find a place in a community, only to be shown in a million different ways that I’m an outsider, and a strange one at that.  We’ll be leaving in a few months, and I will have gotten a lot from my life here, and enjoyed some parts of this time so much, especially, as you know from reading this blog, my lovely garden and the local Botanical Garden and my everyday connection to nature, especially the wilder, undisturbed bits.

But I am probably going to stand out and be noticeable and different until the very last day of our tenure here.  Maybe it’s time I began to deal with why I feel I need camouflage at all.  Truth be told, I’m tired of hiding.

Focusing on that issue is probably going to take a little more time than just week 25.  We’re talking a long-term pattern here.  Still, I’m glad it was brought to my attention, and I can already see some effects of that new awareness in my everyday life.  I unmasked myself a little bit here today at the blog, for instance.

Thank you, little moth.

I’d love to hear from you.  Are there areas of your life where you’d like to come out of hiding?
Do you effectively camouflage yourself in your everyday life or on your blog?

*Although I generally abhor labels, I needed them to convey the disconnect.

** I should add, though, especially for those of you new to the blog, that I love the South and always will.  Every place on Earth has its pluses and minuses, every culture on Earth is such a rich mishmash of good and bad.  Living outside of this region has allowed me, in some ways, to love it even more deeply, to appreciate its unique beauty, flaws and all, from another angle.  I can only hope that that love has shown up clearly and often here at The Enchanted Earth.

Several years ago I learned about wabi sabi from an improbable source, an animated American sitcom called King of the Hill.  Looking back, it doesn’t really seem like the kind of place where I would find inspiration and meet a concept that has come to resonate so deeply within my soul.

But then, you just never know where or when something will click; do you?

Besides, that show made me laugh.

Anyway, that episode, “The Son Also Roses,”* defined wabi sabi as anything which has a flaw that renders it more beautiful.  Just perfect, really.

After a little more research, the definition expanded somewhat in my mind.  Wabi sabi, it turns out, is a Japanese term that is difficult to translate.  It contains the following concepts in its four catchy syllables:  naturalness, imperfection, impermanence, simplicity, lack of pretension, incompleteness, and the patina that comes with age.

Wabi sabi is about beauty.  However, this is not a still-shot beauty, shiny and new and idealized, perfectly posed and styled, all imperfections airbrushed away, as we are used to seeing the definition applied in my country — even to such items as sports cars and fine kitchen cabinets and sleek, expensive, barbeque grills.

No, this is a beauty that incorporates the passage of time, that accepts imperfection and welcomes natural change, that doesn’t resist the facts of ugliness, death, sorrow in this world.  If an object or a scene has achieved wabi sabi, that quality will be felt, not necessarily by every passerby, but by those who are aware and awake, paying attention so deeply that they can sense this quiet beauty emanating from each weathered surface.  This imperfect perfection does not shout, or clamor.  Drama would ruin the whole effect.

If your cup is wabi sabi, it won’t be shiny and new, but well-worn from years of habitual use and loving care.  The design will be simple, the colors muted and natural.  It will be clean, and beautiful even when empty… even more so when filled with clear water or dark tea, and even more so when the person who drinks from it has a heart full of serenity, peace, and gratitude for each moment.

Leonard Koren put it this way:  “Pare down to the essence, but don’t lose the poetry.”

So… that was my week 24.  I took a 10-day blog break, disconnected myself intentionally, and let the flat side drag in a lot of areas of my life.  Things got so simple and easy — and beautiful.   I let the Earth restore and refresh my spirit, and I rested, and I spent time with the ones I love.  The experience ended up being a blessing.

The photo of the aging daisy was taken one morning late in the week, when I had gotten still enough to witness its quiet beauty.  There were more traditionally perfect flowers around to photograph, some of them perennial favorites of mine, like echinacea and single-flowered roses.  There were brand new, young flowers opening out all around me.  But this was the one whose wabi sabi essence spoke clearly to me, of peace, of impermanence, of grace, of joy in the moment.

No drama.  Just pure poetry.

Namasté, y’all.

*How could I not love that episode where Bobby Hill grows a wabi-sabi rose?  The title was even a pun on my old hero Hemingway’s first novel.

p.s. Nancy J. Bond published a post about wabi sabi yesterday.  My post was already in process at the time, and the coincidence of timing made me smile.  She has another lovely image up at her blog, Leaping Greenly, to illustrate the concept, and links to resources about what wabi sabi is and is not, if you’re curious and would like to explore further.

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