Let children walk with Nature, let them see the beautiful blendings and communions of death and life, their joyous inseparable unity, as taught in woods and meadows, plains and mountains and streams of our blessed star, and they will learn that death is stingless indeed, and as beautiful as life.

~ John Muir

Bee on cosmos.

Somehow this bee seemed the right photo for this post.  I’ve been spending some time in a similar posture, feeling this grief deep in my gut, curled over upon myself.

Too, I feel like bowing in gratitude for the gift of my grandfather’s long life and his powerful, joyful, meaningful presence in my own.  I’m so grateful that I got to be there with him even at the end.  I like to think his peaceful passing was in part due to the room being filled up with his children, grandchildren, and friends.

So much love in one room.

Grief, too, of course.

What a strange water I navigate across now!  I almost wish our culture still mandated mourning clothes, still recognized a proscribed dress code, so that when I am a little odd, when my social mask goes missing, when I cannot do the polite public face at all, cannot pull it out of me for even two minutes’ interaction with a stranger, people would say to themselves, “Oh, well, it’s normal, she’s in mourning,” instead of maybe questioning what else might be wrong, whether I’m a cuckoo anti-social walking around their town, or whether they, themselves, have made a misstep.

So far, it’s peaks and valleys, like everything else.  My Uncle Michael nodded sagely and whispered that in my ear yesterday, when I tried to describe for him how I was “holding up” through the process.  I guess I’m not surprised.  The very structure of the universe seems to be these waves, and here I am experiencing them again.

Sometimes I even forget for a moment.  The night before the funeral, I cut my right thumb and palm, badly, on broken glass (yet another reason blog posts may be scarce for a bit).  I’ve avoided touching the wound as much as I possibly can — but then I’ll just forget, and do something to make myself cry out from the pain.  This morning I grabbed the broom to sweep the kitchen floor, a perfectly normal activity, and nearly bit through my own lip on the first stroke, as the deep cut reopened itself from the pressure.

I think it’s something like that.  It’s just normal to forget.  It seems Granddaddy must still be here because, well, my definition of “world” includes him in it, and so that is the default setting I revert to.

And then I remember.

I’ve been putting off writing this post partly because it makes it seem so real to put it here, in black and white — and partly because I really don’t know what to say yet.  Sometimes it feels like I’m floating, or in a dream, moments from awakening.  How could I possibly write a coherent post from within this strange, otherworldly place?  (I’m most likely not.  Oh, well.)

Yet surely I must share the news properly, not just as a small update within the last post.  That note doesn’t show up in RSS feeds or Google Reader, and I’ve gotten several e-mails now, wondering what happened, asking how I am.

Well, this is what happened:  Granddaddy passed away on Sunday night.  I think his death was as “stingless” as a human death may be.

As to how I am, just typing that last sentence makes me go all hollow inside.  (Maybe the stinger got lodged in my heart instead?)

Nature and the garden, as always, are solace.  The tough part is that the last communication my grandfather and I had together was about my garden, and so much of our time together over the years revolved around our mutual love of Nature, of growing things, revolved around our joy in helping to birth food from the Earth — and all the attendant trials of the process.  He used to say, with his characteristic, barely-there, mischievous wisp of a smile, that it was a relief at least one of his grandchildren was a farmer by nature.  I was so glad — and so fortunate — to be that one.

So my great solace also now contains a thousand references to my great sorrow.

The plants now hold flowers, fruit… and memories.

Namasté, y’all.


DSC09667

“To see a world in a grain of sand
And heaven in a wild flower,
Hold infinity in the palm of your hand
And eternity in an hour.”
-  William Blake

It’s a funny thing about this blog.  Sometimes it feels almost faceless.  Certainly, none of the photographs are of me.  My personal portrait appears on the other blog, as do most of the details of my life that I let show on the blog-o-sphere.  And yet I do feel as if this blog is extremely personal.  It is, after all, a journal, where I record what’s happening now in the garden, and the garden is so much a part of my life.  It is even a kind of reflection of me.

As Sydney Eddison once wrote in Horticulture Magazine, “Gardens are a form of autobiography.”  And it is so true.

I feel myself personally revealed in the details of my little kitchen garden and in what I choose to photograph and journal about here:  what I consider important, what is unexpected to my relatively inexperienced eye, what is not at all surprising but eagerly anticipated, what delights me, what is merely tolerated, what I feel I can teach others, what bewilders me and shows how far I have to go, what pleases my palate, what leaves a bitter aftertaste, what makes my day, what brings me to the verge of tears, what is worth sharing, what is ruthlessly suppressed….

Here is a beautiful eggplant blossom that had fallen and nestled among the still-green leaves of the remaining ‘Black Beauty’ plant.  It was not fertilized and so fell off stem and all.  It was so soft I carried it around for the rest of the day in the left pocket of my hoodie, where I fingered it several times each hour, slowly pulverizing it and lining my pocket with brown bits of petal.

I have been in love with fading, wilting and spent blossoms for a long time.  It seems a very strange taste to have, in the era of flowers (and everything else) so perfect they could be plastic.  At least, this is how I feel people in my culture most often see flowers, in bud, unfolding to perfection, at peak bloom — or not at all.

The first time I felt not so alone in this passion was in reading Christian Bobin’s Autoportrait au Radiateur, wherein he has written some of the most glorious passages about wilting tulips it has been my pleasure to discover, written during a year of mourning and coming to terms with death and somehow — with great lurching, awkward, irregular steps and graceful leaps and pirouettes, and missteps, too — dancing himself back to life, bit by bit.

It’s an incredible book, and I’ve been incredibly frustrated ever since I read it that M. Bobin has not been translated much into English.  Especially as now, when someone I’m close to is dealing with the painful task of mourning, and I don’t quite know what to say, and keep wishing I could quote directly from its passages in a sympathy card — or, better yet, just send along a copy of the book.

Despite its unavailability here, his writing is something of a phenomenon in France, where no one can quite define it.  Is it poetry?  Or prose?  Essay, maybe?  But it might be fiction… hmm….

I love that he’s turned all of that on its head, so that you just pay attention to the words on the page, and soon get wrapped up tightly in their spiral of Beauty.  Nature infuses so much of his writing, but I would not call him a nature writer.  His writing is all about Being, I’d say, and especially Being Human, and doing it with grace and enthusiasm, forgiveness and gentle humor, childlike wonder and joy.

Anyway, the good news is, along with flashing a little skin in this post, I can tell you one of my favorite writers is soon to be more generally available in English.  I can’t wait to pick up the two paperbacks out in translation this December, see if the translator, Alison Anderson, has done Bobin’s work justice, and perhaps finally be able to recommend some of my favorite books to my friends.

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